Remote post-production for directors and producers
You shot it. I'll cut it. Twenty-five years of broadcast post-production — Discovery Channel, Nickelodeon, Telemundo, Televisa, Univision, Disney, Hola TV — available to you wherever you're working.
You'll see something the same night, or the next day
Most remote editors go quiet for a week and then surface with a cut. That's a bad way to work when you're the one answering to a client.
I send raw samples early — usually the same night I start, sometimes the next day. Not a finished piece; a first read on the material so you can see the direction before it hardens. If it's wrong, we find out on day one instead of day six.
Final turnaround depends on scope. The early look doesn't.
Send the footage however you already work
No proprietary portal to learn, no account to create, no workflow to adopt. Send it the way you already send things:
- Frame.io — review and approval in the tool your team already uses
- Dropbox, Google Drive, WeTransfer — straightforward file handoff
- Physical drive — for large volumes or archive material, ship it
- Whatever else you're on — if it moves files, it works
Same for delivery. You'll get the format your distributor, network, or client asks for.
Full post, or the piece you're missing
Some producers hand over everything after the shoot. Others need one specialist for one part. Both work.
Editing
long-form, short-form, documentary, promo, corporate, branded
Motion graphics
titles, lower thirds, animated elements, packaging
Color grading
matched, corrected, graded to look
Audio
cleanup, mix, music and effects layout
Versioning
social cutdowns, multiple aspect ratios, multiple lengths
Subtitling and localization
English, Spanish, Portuguese delivery
Broadcast standards, applied to your project
Twenty-five years cutting for networks where the material had to be right the first time: Discovery Channel, Nickelodeon, Telemundo, Televisa, Univision, Disney, and Hola TV.
That background shows up in ordinary ways — an eye for structure, knowing what a network will reject before it gets sent, and not needing to be told how a sequence should hold together.
Bilingual English and Spanish, with delivery in Portuguese when a project needs it. If your footage is in a language your editor doesn't speak, that's a problem. Here it usually isn't.
- 1.
Book a call. Fifteen minutes. Tell me what you shot and what you need back.
- 2.
Send the footage. However you already move files.
- 3.
See a raw sample. Same night or next day.
- 4.
We finish it. Revisions, delivery in your format.
Questions
- Yes. Post-production is entirely remote and has no geographic limit. Filming is the only service restricted to South Florida.